Producer Spectacular Diagnostics puts the jetpack into the back of Conway, Chris Crack and Nolan the Ninja as the trio deliver “Rambo Bars.”
With the world still reeling from the passing of Prodigy, Peter Rosenberg drops a mix of classics from the legend. The mix starts with both Eminem and Kendrick Lamar spitting verses from Prodigy’s catalog. Enjoy.
Despite dealing with turbulence in his life, Brooklyn rapper Justo pushed forward and is proud to release his latest project, ‘Black Ops.’ The 11-track effort arrives with two very specific goals: to pay homage to the greatest to ever do it, and to showcase that he’s not playing around. One listen reveals that he’s not only reached his goals but greatly exceeded them, in part because he was blessed with a batch of instrumentals from none other than D.I.T.C. heavyweight, Showbiz.
With the Bronx producer’s work as his canvas, Justo demonstrates time and time again his ability to blend mafioso-rap stylings with clever battle-rap bars. These show up on a number of Black Ops standouts, including the hard-hitting opening track “The Council,” the revealing “Hood Politics,” and Justo’s personal favorite track off the project, “Can’t Take Y’all Seriously.”
For the BK rapper, that song in particular exhibits his M.O. as an emcee. “The beat is insane, and the message is consistent with how I feel everyday about most of these so-called ‘industry artists,’” he explains. “I love any track of mine when I’m straight chewing up the beat, and that’s one of them for sure.”
‘Black Ops’ also follows Justo’s tendency to collaborate with a single producer on a project, including 2015’s great 7-1-Ocho with Mexican beatsmith, Ocho Vazquez. The one-rapper, one-producer approach is one of Hip-Hop’s greatest traditions, and Justo honors it with vigor and tenacity here throughout every track.
For Justo, flowing over Showbiz’s raw, gritty instrumentals came naturally, but it also opened the door for experimentation. He saw an opportunity to get loose and just straight-up spit, leaving listeners with one of the hardest rap releases to drop so far this year. The eleven track project is now available through all major digital outlets and streaming platforms, via Black Jewel Entertainment.
‘Molotov’ represents the best elements of its creators, Brooklyn rapper, Saga and Chicago producer, Thelonious Martin. The rhymes are potent and powerful, taking down everyone from cynics to haters, wack emcees, and inner demons. And the instrumentals serve to bring those words to life by way of head-nodding percussion, and slick sample flips.
Because it was crafted by one rapper and one producer, ‘Molotov’ is especially effective, and have made it clear why their approach works so well, especially as a duo. The 12 tracks move in and out of each other seamlessly, while tackling a variety of sounds and subject matter, all with an effective supporting cast of notable features. Like the one-two punch of the straight-up banger “Karma,” which features a fired-up Freddie Gibbs, and the Fashawn-assisted lead single, “Yesterday.”
“With Molotov, it was about maintaining the level of quality I’m known for,” the producer says, noting that it all started with the two sending tracks back and forth. “As the project was coming along, we started building the proper chemistry to make this special.”
Saga agreed, calling the project’s conception “organic.” It was that unrestrained vibe that he says “allowed me to be free with my thought process, and write for the moment.” As a result, he was able to explore new and intriguing ideas, like how “chaos is the end result of a long process of inner discontent within our own lives.” And you can hear him eloquently rhyme about this subject on “Misunderstood,” his favorite cut on the 12 track LP.
An unreleased song from MF Doom and Danger Mouse has surfaced in the form of “Spokesman.”
New Wu Tang Clan music? Yes, please. Straight off of the soundtrack for HBO’s Silicon Valley, Method Man, Raekwon, Inspectah Deck and RZA connect for “Don’t Stop.”
The unlikely pairing of Berner and Styles P has provided some dope results thus far. The duo drop a mellowed out groove with ScHoolBoy Q joining the smoked out session on “Table.”
Dave East hijacks Travis $cott‘s “Green & Purple” and has no intentions of handing it back over with his #EastMix “Only One King.”
Styles P makes up for lost time between projects by dropping a freestyle over Jay Rock’s “Elbows” with “Ghost Sick.”
And now, words from DJ Premier:
THIS SONG WAS PULLED FROM THE “JUVENILE HELL” LP AFTER THE WHOLE ICE-T “COP KILLER” SONG WAS SHOCKING THE WORLD SO MOBB DEEP’s LABEL 4TH & B’WAY REMOVED IT AS WELL…
SOME COPIES LEAKED BUT MOST DJ’s DON’T HAVE IT.
ME, PRODIGY AND HAVOC GOT PULLED OVER BY THE COPS IN 1993 AND THEY WERE ON SOME FOUL SHIT BUT WE WERE ABLE TO GET AWAY WITHOUT THEM FINDING OUT HOW DIRTY THE CAR WAS BACK THEN…
SO WE WROTE THIS SONG ABOUT IT…
HERE IT IS UNCUT…
WE ARE GONNA MISS YOU PRODIGY…(R.I.P.)
CONDOLENCES TO HIS FAMILY…
THA JOINT: COP HELL
THA GROUP: MOBB DEEP
THA PRODUCER: DJ PREMIER